アンドレ ケルテス
US$5,000-US$7,500. Shadows, surprise, and a hint of the sinister define André Kertész 's oeuvre. The Hungarian photographer filled his frames with dark humor and the eerie geometries of everyday life. His 1926 picture of a reclining dancer finds a visual rhyme in the twist of its subject's legs and a torquing white sculpture beside her.
ケルテース・アンドル, アンドレ・ケルテス(Kertész Andor [ˈkɛrteːs ˈɒndor], André Kertész, 1894年 7月2日 - 1985年 9月28日)は、ハンガリー出身の写真家。本名(ハンガリー名)は姓を先に表記するケルテース・アンドルだが、日本ではフランス語からの紹介が多い
"Andre Kertesz: Postcards from Paris," October 2, 2021-January 17, 2022. High Museum of Art. "Andre Kertesz: Postcards from Paris," February 18, 2022-May 29, 2022. Learn more about this artwork. Timeline of Art History. Essay Henri Cartier-Bresson (1908-2004) Essay Photography and Surrealism.
Although Kertesz had long been interested in mirrors, reflections, and the idea of distorting the human figure, he did not seriously investigate their photographic possibilities until 1933, when the risqué French magazine Le Sourire commissioned him to make a series of figure studies. Using a funhouse mirror from a Parisian amusement park
Exhibition History. Title: Distortion #6. Artist: André Kertész (American (born Hungary), Budapest 1894-1985 New York) Date: 1933. Medium: Gelatin silver print. Dimensions: 23.4 x 17.3 cm (9 3/16 x 6 13/16 in.) Classification: Photographs. Credit Line: Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987.
Lead support for André Kertész: Postcards from Paris is generously provided by Nicholas and Susan Pritzker. Major support is contributed by The André and Elizabeth Kertész Foundation. Additional support is provided by Vicki and Bill Hood. Members of the Luminary Trust provide annual leadership support for the museum's operations
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